A series of coincidences resulted in the discovery of a remarkable collection of material which documents the development of plastic surgery at the beginning of the 20th Century. Driven by the persistence of Harold Gillies, and fuelled by the flood of casualties from the battle of the Somme, the Queen's Hospital, Sidcup was developed as the First World War's major centre for maxillo-facial and plastic surgery. Opened in 1917, the hospital and its associated convalescent hospitals provided over 1000 beds and between 1917 and 1921 admitted in excess of 5000 servicemen.
The Plastic Theatre, Queen's Hospital, 1917
The Hospital's medical staff were organised on national lines, with contingents from Great Britain, Canada, Australia and New Zealand. Each detachment removed its records after the war. It was assumed that the British records had been donated to the Royal College of Surgeons and destroyed when the College was bombed in the Second War; the Canadian records have disappeared. The New Zealand records (the Macalister Archive) resurfaced when rescued from imminent destruction by Sandy Macalister,Professor of Oral Surgery at the Dental School in Dunedin, and he generously donated them to us in 1989. After publication of a brief article about these in 1993, the extant British records (the Gillies Archive) emerged from hiding at Queen Mary's Hospital, Roehampton, where they had languished, almost untouched, since 1925. They include many cases illustrated by Gillies in his seminal textbook, "Plastic Surgery of the Face", published in 1920. Altogether the archives contain over 2500 records. Most of the casenotes are in their original folders and contain notes, photographs, diagrams and X-ray photographs. The New Zealand records also contain a series of 98 watercolours and a life-sized wax model illustrating surgical techniques. Queen's Hospital patients of this era were almost exclusively servicemen. Most were soldiers, with a small number of Navy and Flying Corps personnel, most of whom had suffered burns. The records include rank, number, regiment and date of wounding so that the action in which they were wounded can often be identified.
A proportion of the Sidcup records were transferred to the Royal College of Surgeons, London in 1923. These had formed the Facial Museum established at Sidcup. All were destroyed when a bomb hit the College in 1941. Thus the records from Roehampton represent, we believe, about half of the total number of patients treated by the British Section.
A watercolour in the Frognal Centre collection
The Gillies and Macalister Archives are listed alphabetically and record the extant contents of the notes. The two are cross-referenced and also list whether other material is held elsewhere. The British and New Zealand notes are now in the Royal College of Surgeons, London. The Australian section's records are deposited in the archives of the Royal Australasian College of Surgeons, Melbourne. The Canadian records have vanished, although an Admissions Book survives in the Canadian National Archives. From this I have been able to reconstruct a list of names and I am most grateful to Paul Ferguson for his work on locating the full army files for these names. It transpires that they contain some of the missing medical details but we have as yet not evaluated them fully.
A life-size wax model illustrating surgical techniques
The Gillies and Macalister Archives are probably the most important and complete collection of facial surgery records of their age in the world. They are available to researchers by application to Louise King at RCS. In addition the WW1 records have recently been fully digitised, and details are available through the family history website findmypast. A summary service is now available on that site and the coordinator, Paul Nixon, has added more first names to the outline in the spreadsheet below.
Much of the important and representative archive material has been reproduced on film or digitally, and Dr Bamji is available to lecture worldwide on the subject of facial injury in the Great War. Requests should be addressed direct to him preferably by email.
A spreadsheet of the WW1 database can be downloaded. The database includes
As we hear of men treated at Sidcup, but for whom no notes exist, this database will be expanded.
To download the spreadsheet click here.
The archives collaborated with the artist Paddy Hartley in Project Facade, an exciting venture responding to the images of facial reconstruction from WW1. Below are two views of Paddy's studio in St Thomas's Hospital, and one of the experimental works he has made, creating a dramatic needlepoint image from a photograph.
Digital image update...
The original 84 Macalister watercolours have been digitised; subsequently another 13 came to light and are included in this updated gallery. Drawn on Whatman art board, they have faded somewhat and I have corrected the colour balance just a little. En masse they can be somewhat daunting; below are two images as an example.
A further series of watercolours remains in the Hocken Library, University of Otago in Dunedin, New Zealand. I had the pleasure of seeing them on my lecture visit. Some are duplicates of those in the Macalister Collection but there is a series of Percy Green which complement the three we possess. Review of the watercolours suggests that, apart from those done by Daryl Lindsay, most were by Herbert Cole, who returned to New Zealand and later painted under the name Rix Carlton. There are also some postcard sized, very detailed watercolours done for Henry Pickerill's book. Altogether an additional 32 watercolours can be added to the total.
Gunner Sprout: before and after surgery
Watercolours from the Archives
The Macalister Watercolours warning: these images show disturbing facial injuries
The Tonks pastels (uploaded 21st June 2007)
This gallery contains the pastels created by Henry Tonks at Aldershot and Sidcup. The images are copyright of the Slade School and the Royal College of Surgeons and are watermarked accordingly. Comparison with the Macalister collection is interesting; the quality of the portraiture is quite different, with only Daryl Lindsay of the New Zealand section artists coming anywhere near Tonks in his portrayal of mood. I am grateful to the College for allowing us to upload the RCS images.
The clinical archive at Queen Mary's was supplemented by an extensive collection of books relating to surgery and medicine of the Great War, which includes a number of textbooks as well as personal reminiscences, hospital journals and general history books. The collection contains books from Great Britain, the USA and Canada, France, Germany and Belgium and is probably the largest library of WW1 medical experience in the world. A copy of my bibliography (76 pages in all) may be found on this site; it's big (file size just over 1Mb) but once downloaded it may be copied into a blank Word document.
The Library is now part of the collection of the Brotherton Library, University of Leeds. Start your search here.
Sir Harold Gillies' papers
Susie Winter, Sir Harold's granddaughter, has donated a substantial collection of papers and records inherited through her father Michael (Mick) to BAPRAS.Updated 4th October 2016
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